Mar 072012
 

This is a canal that runs underneath the Charles Bridge. As I came across this view I liked the shadow of the house falling on the other houses. Before long a boat passed through. I decided that this as just what I needed for a picture so I set up my tripod, got the camera ready and waited. As I’ve mentioned, in just about every post from Prague, it was cold. This was a particularly long wait. I enjoyed the funny looks I got and watching people walk up to snap a photo in the general direction of where my camera was facing before moving on. After a wait a boat passed through, but it was a little tiny thing that I didn’t think did the trick. So, I continued to wait. I think I’d been there for about half an hour when the boat I’d seen originally returned and this is the result.

This is a combination of 3 exposures. I used the selective anti-ghosting tool in Photomatix to select one exposure of the boat and the surrounding water.

Boat sailing in canal that runs underneath the Charles Bridge, Prague with shadow of buildings on opposite wall.

Mar 062012
 

Waking up before sunrise is pretty easy when you’re sleeping in a mesh tent surrounded by the sounds of wild animals through the night. Light moving across the flat landscape was a welcome sign.

“You’ll hear animals through the night. They’re going to sound very close, but sound travels a long way here.”

That was the last thing our guide said to us before the group separated into their respective tents. It had been raining, a hard rain as reported in an earlier post, so our fly sheets were on. They were heavy with an almost rubbery feel. It didn’t take long until people emerged in the darkness, flashlights in hand, to remove the stifling material. The fear of another downpour led to discussions on whether to leave it on, leave them half on or take them completely off. My tent mate and I settled on taking it all the way off, but laying it down carefully so it could be pulled up rapidly if need be.

Following this we turned to the darkness. A quick waft of the flashlight revealed a disturbing number of glinting eyes – presumably hippos. Hippos that were already on land and probably only 50 meters from us – they looked back, not moving. I guess they were content to munch away on the long grass surrounding us. With this revelation we returned to our tents. Now, nothing but a thin mesh separated us from the elements, and the wild animals. To be honest, this is exactly what I was after. Why sleep in the bush if you’re just going to lock yourself away? Also, it was much cooler this way.

Just as I dozed off to sleep I was startled by the trumpeting of an elephant. It sounded like it had to be on the same island as us but I repeated the mantra “they sound closer than they are” and drifted off to sleep. I was woken regularly through the night by every noise you feel like a night in the African bush should provide. I heard hyenas, lions, more elephant trumpets, and hippos grunting. This was always punctuated by an eerie silence that you knew would be broken at any moment.

My tent-mate, however, was fortunate enough to be awake for our closest encounter. Having been on an elephant back safari just days before he was finely tuned to recognize the sound of elephant dung hitting the ground. He woke up to feel the ground moving and quickly recognized the thudding. It didn’t take long for him to conclude that an elephant was crapping right next to our tent. I asked if he’d turned on his light to take a look, but the closeness rendered him incapable of moving.

We awoke to a red sky, having survived the night, and exchanged the stories of sounds I’ve just recanted here. Then we hopped out to check the area. Sure enough, there was fresh dung right next to our tent.

Following this discovery I set about capturing the sun rise. I’ve got a lot of photos of this scene from the night before. I’m not happy with any of them. This morning, I took only one photo of this scene, and I’m thrilled by it. I find that I’m always happiest with photos I’ve had to wait to take. For this one, I identified where I thought that sun would be coming up, framed up the picture and waited. I waited for quite a while and the sky was pretty blue all the way across. I began to wonder if I’d misjudged the location of the sunrise and somehow missed it. Then the glow intensified and I knew it was about to peak over the horizon. 7 exposures later and I was packing up my gear.

Glorious star-burst sunrise peeking over the horizon on the Zambezi River in Zambia.

 

Mar 052012
 

As the sun sets on Lake Kivu the sound of the fisherman making their way out onto the lake, rain or shine, can be heard at the Paradis Malahide Hotel. As you’ve seen in previous posts, here and here, this was a sign that it was time for me to grab my gear and run down the road to the docks.

For some reason this canoe was left behind by the fleet, which can be seen on the horizon. This was lucky for me as I’d gotten to the dock a touch later than planned. This photo allows you to see how these triple hulled canoes are held together.

This is a combination of 7 exposures bracketed from -3 to +3. I’ve started using Photoshop to align the images prior to processing in Photomatix and have been surprised to discover that, even when using my tripod, more often than not they are out of alignment.

Triple hulled canoes on the shore of the Zambezi River with the rest of the fishing fleet in the distance in Zambia.

Mar 042012
 

After making the long walk from Times Square to the far side of the Brooklyn Bridge I arrived here. This shot is taken shortly after the sun had set, in the blue hour. If you look closely you can see the Empire State Building lit up on the horizon.

View of New York City with the Empire State Building from under the Brooklyn Bridge after sunset

Feb 292012
 

On our way to visit this village we saw the mud bricks used to build this structure baking in the sun. We went inside one for a demonstration on how grain is ground into flour. They’re actually a very clever design. The wall around the perimeter does not meet the thatched roof allowing for the breeze to roll through. This cools the inside while allowing any smoke produced in cooking to be quickly ventilated. The doorway was tiny and involved a bit of a contortion to get through.

Two round huts in a Lower Zambezi, Zambia village with thatched roofs with one with baked mud brick sides and the other stick sides.

Feb 282012
 

After a day on a bus, from Livingstone to the Lower Zambezi, we arrived at our home for the night, Zambezi Breezers. Upon arriving it was immediately clear where we would be spending our evening. This shot is taken on a deck built out over the banks of the Zambezi.

Sitting and relaxing, as the sun retired, we watched chartered fishing boats make their way back to their respective lodges and locals make their daily commute home by canoe. They all traveled the crocodile and hippo infested waters with the same manner of craft. They were very simple and appeared to be made from one tree trunk. The back-end seemed to always be submerged and while paddling they let their legs dangle over the sides into the water.

Sunset on the Lower Zambezi River, Zambia with local men in simple canoe riding with back end in the water.

 

Feb 272012
 

I wish I could tell you what this rather incredible building is called. Unfortunately, I have no idea and I’m in a bit of a rush as it’s my birthday and I’m on my way out for a beer – so don’t have time to google map it (Flanagan’s if anyone’s interested). 🙂

This photo was taken with my back to the East entrance of the Charles Bridge. I’ve got a bit of a fascination with figuring out how to include moving subjects in HDR photos at the moment. I know it’s possible to create HDR images from one RAW photo. However, the results are never as good as when you use multiple exposures. On top of that, I wanted everything to be sharp in this image. In order to do that a small aperture was required. So small that all the vehicles and people in the photo disappeared. So, how to get the moving cable car?

I shot the scene as I would normally, with a small aperture, and then switched it up, increase the aperture and bumping my ISO up considerably to freeze the tram as it barreled through the tunnel. I waited for one to come through and just used it to set the focus correctly. Then waited for the next one and fired away. Following this, I created an HDR image with the multiple exposures as usual, and then masked in the moving cable car. As a result, I’ve captured a moving object in true HDR while maintaining a nice wide depth of field.

Ornate building in Prague with cable car speeding out of a tunnel in front.