Jan 072015
 

I didn’t manage to take a lot of pictures while I was in Brazil as there was a pretty sizable distraction on the go… the World Cup.

My Dad and I did make the trip up Sugarloaf Mountain though and I managed to take the following picture, which I’m very happy with. I’ll probably be getting it printed. If you look closely at Copacabana beach, the furthest left, you can see the FIFA Fanzone set up on the sand. Admittedly, you’d probably have to know what you’re looking for to find it.

view from rio's sugarloaf mountain including botafogo and copacabana beaches, christ the redeemer, and a cable car

Feb 272012
 

I wish I could tell you what this rather incredible building is called. Unfortunately, I have no idea and I’m in a bit of a rush as it’s my birthday and I’m on my way out for a beer – so don’t have time to google map it (Flanagan’s if anyone’s interested). 🙂

This photo was taken with my back to the East entrance of the Charles Bridge. I’ve got a bit of a fascination with figuring out how to include moving subjects in HDR photos at the moment. I know it’s possible to create HDR images from one RAW photo. However, the results are never as good as when you use multiple exposures. On top of that, I wanted everything to be sharp in this image. In order to do that a small aperture was required. So small that all the vehicles and people in the photo disappeared. So, how to get the moving cable car?

I shot the scene as I would normally, with a small aperture, and then switched it up, increase the aperture and bumping my ISO up considerably to freeze the tram as it barreled through the tunnel. I waited for one to come through and just used it to set the focus correctly. Then waited for the next one and fired away. Following this, I created an HDR image with the multiple exposures as usual, and then masked in the moving cable car. As a result, I’ve captured a moving object in true HDR while maintaining a nice wide depth of field.

Ornate building in Prague with cable car speeding out of a tunnel in front.