Feb 162012
 

After yesterday’s difficulty getting inspired to process any photos I came home over my lunch-break and decided to work on a photo that I’ve attempted and failed at a few times in the past. Finally, I think I’ve cracked it. Incidentally, does anyone know what the flowers in this photo are called?

This is another photo from the Paradis Malihide. Rising early, in the hopes of capturing the sun as it peeked over the horizon, I discovered that it was, once again, completely overcast. I never figured out where the sun rose and where it set while there because the cloud cover was so thick. Nonetheless, it was still a beautiful spot and I wasn’t going to let the clouds stop me. So, I went in search of photos where the sky didn’t have to be a prominent feature. I came across this scene and thought it was a great subject for HDR. It’s almost like two images, allowing your eye to wander over the flowers in the foreground before moving on to look at the boat and the hills in the distance.

People would arrive on package tours and pile into this little boat to cruise off down the lake. Navigate here to get ready properly for such a cruise. It was amazing how many people they stuffed into this thing. It was an interesting contrast watching the tourists in their bright orange life-jackets motoring back in for a nice dinner while the fishermen in dark rain jackets, t-shirts or shirtless plied their oars and sang their songs on their way for another chilly, wet night out on the lake.

I’m not a package tour person, probably because I don’t like being herded around. We spend enough time in our working lives getting told what to do. Why go off on holiday and do the same? I met a couple of Californian guys while in Prague who had embraced this concept. They’d decided they needed a break and managed to negotiate three weeks off – supposedly no easy feat in the US – to head for Europe. When I ran into them all they had planned was their flight home from Amsterdam. I spent about an hour eating lunch with them as they tried to figure out their next destination. They’d narrowed it down to Germany when I arrived, and hadn’t gotten much further when I eventually left. Once I ran into them later, at about 9pm, it was sorted. They were leaving at 6am on their way to Hanover.  It’s a great way to travel, waking up in one place, not knowing where you’ll be the next day.

View from Paradis Malihide, Rwanda with flowers (umuko tree-a.k.a. flame tree) in the foreground, tour boat on the lake, and the green terraced hills in the distance.

 

 

Feb 152012
 

I’ve tried to work up four different photos tonight. None of them would work for me. So, I reached into the reserves and pulled out one of my early attempts at HDR. This sunset may look surreal, but that’s what it actually looked like! Truly amazing.

The wall in the foreground encloses my friends’ neighbor’s backyard in Spanish Point, Bermuda. It’s a great spot, and perfectly flat. I’d really like to set up a croquet set over there. I do wonder how long it would take for someone to have to go swimming after their ball though.

It’s odd how sometimes you just can’t get inspired to process any pictures. I’m sure I’ll return to the same photos in due course and be happy with the results. They probably won’t even look much different than they did tonight. I think I need to get out taking some more photos of Bermuda. It’s always easier to work on photos I’ve just taken. Any suggestions for shooting locations? You can let m know in the comments here or on my Facebook page.

 

Surreal pink and blue sunset over Spanish Point, Bermuda with a water-edge backyard behind a low wall.

Feb 142012
 

Finding a taxi in New York when you really, really need one can be pretty difficult. I stumbled onto a street where you’ve got a pretty good chance of finding one. But, it won’t be much use to you. The whole street was lined by these really deep, but very narrow, garages, all of them working on yellow cabs.

I wound up here as a result of my hotel selection. My decision to go to New York for the weekend was pretty last-minute and happened to fall on Labor Day weekend. The city was full, and hotels were expensive. Then, I discovered that a Yotel was opening in New York, just off Times Square, and was offering special low rates.

If you’ve never heard of a Yotel it’s the brain child of the owner of the YO! sushi chain. The idea for the hotel is based on Virgin Airlines first class cabins. They provide small hotel rooms, with all the amenities of their more luxurious counterparts at a much lower price. It was actually pretty cool, once I got through check-in. The room is definitely small, but mine was on a corner with floor to ceiling windows and feels plenty spacious – at least for one person.

Check-in is automated, presumably inspired by airports and the desire to reduce the cost. Also, a pretty cool idea. I’m sure it’s very efficient if you check in when the rooms are ready. Unfortunately, I arrived at 10am. My first attempt to check in didn’t work. I can’t remember what it said but it was nothing along the lines of, “your room is not ready yet.”

It felt more like your reservation didn’t exist.

So, I waited in the line of people trying to speak to the one staff member available. Once I got my turn, we went back to the machine and did exactly what I’d just done to get up the exact message I had just reported to him. I was then informed that my room is probably not ready yet and he offered to help me hand my bag to the robot arm that stacks them away in storage for you. I asked when my room would be ready and was told about 2 hours. So, I went exploring.

I came across this street of mechanics, totally accidentally, and immediately decided I wanted a photo of his place. I then paced back and forth a few times trying to work up the nerve to ask permission to take the photo. Finally, I caught someone’s eye and asked. He looked at me like I was insane and then the manager came up. He also looked at me like a lunatic but said yeah go ahead. So I strolled in and started firing away. Unfortunately, I’d left my tripod in my bag. As a result I had to sacrifice a bit of depth of field for a faster shutter speed.

I didn’t notice at the time, but the sign to the left actually said that customers had to wait outside because their insurance did not allow anyone to enter! Apparently, if you’re not a customer, this rule is relaxed.

I continued wandering and returned 2 hours later. The exact same thing happened and I was informed that my room would probably be ready after 3:00.

Three o’clock!!!

I was tired of walking by this point so I went to a movie. It was a bloody weird movie too, wish I could remember what it was called. Or, what it was about for that matter.

On my third attempt to check-in all went as smoothly as it should and things improved from there. That being said, I can’t see myself staying in another Yotel in the near future. It’s probably worth it for an interesting experience, but it’s still actually quite expensive for what you get, even at the discounted rates.

 

Long narrow garage for yellow taxi cabs in New York City with one up on a lift.

Feb 132012
 

While wandering around Prague I was trying to take photos that didn’t conform with every postcard hanging in the shops. It’s pretty difficult not focusing on exclusively photographing the landmarks here. There’s lots of them and they’re everywhere. So, I was pretty pleased when I looked over the edge of the Charles Bridge and spotted this scene. The bridge was crowded with street vendors and tourists bustling by. Then, over the edge it was just peaceful. As I set up I noticed that every now and again someone would stroll through. So, I waited until someone got right into the spot I was looking for. It was a surprisingly short wait.

This is a combination of seven exposures from -3 to +3. It was important to use this wide range of exposures because, as you can see, I was shooting directly into the sun. This photo is a good illustration of the capabilities of HDR photography. Typically, shooting into the sun is considered a no-no and with the limited light range of my camera’s sensor I’d really only be able to capture a silhouette of everything lined up in front of the sun. By combining multiple exposures the details in the trees’ bark have been captured along with the camouflage jacket the man is wearing. These are all details I was able to see while I was there.

Man taking a peaceful evening stroll along the Vltava River in Prague with the bright sun reflecting off the water and creating shadows of the trees on the buildings.

Feb 122012
 

This is a village just outside the Lower Zambezi National Park in Zambia. We visited while on canoe safri. As we drove into the village we were greeted with glowing smiles from everyone. The kids were all excited to see us and came running up. We were introduced to the lady in the red headscarf who is the wife of the village Headman. When asked how old she is she didn’t know and when she informed us that she was in fact the Headman’s only wife she beamed a big smile. The lady with her back to the camera is one of her eight daughters and all of the children in the photo were her grandchildren. The place was full of kids and it turned out they were all her grandchildren! We asked how many grandchildren she had. She had to think for a while and said about thirty.

Here, they are demonstrating one of the steps involved in producing nshima – a maize dish that looks like mashed potatoes.  They’re using a giant mortar and pestle to remove the husks from the grain. Maize and water go into the large wooden pestle on the ground. Then, they take a big wooden mortar each (you can see one lent against the hut in the background) and they take turns lifting their pole and dropping it back down. They did this at a great pace.

Village women surrounded by children using a giant mortar and pestle to remove the husks from the grain to make inshima – a maize dish that looks like mashed potatoes - in a village outside the Lower Zambezi National Park in Zambia

Feb 112012
 

As mentioned before, our 3 week journey through 3 countries in Africa ended with two days of relaxation at the Paradis Malihide in Gisenyi. It was the perfect way to unwind. This is another photo of the fishermen making their way out onto Lake Kivu, to work their nets through the night in search of talapia and little black sambassa. They have to fish with nets because, as Cameron discovered after an hour casting his fly into the lake, these are the only two types of fish in the lake and neither of them is carnivorous. Once Cameron discovered this, he turned to teaching one of the waiters how to fly cast. Across the lake, through the haze, you can see the hills of the Democratic Republic of the Congo.

Fishermen on Lake Kivu, Gisenyi, Rwanda, heading out at night to work their nets from their triple hulled boat in search of talapia and little black sambassa.

Feb 112012
 

The East end of Charles Bridge, taken at night. I used a long exposure, by attaching my ND-4 filter, in order to erase the people walking to and fro. The last time I was there a friend of mine took a photo on the bank just to the left of this tower, looking across towards the castle with the bridge and it’s statues in the left of the frame. I really wanted to get down there to do the same. Unfortunately, that area was closed for construction.

 

The east end of Charles Bridge, Prague taken at night.

Feb 092012
 

Gibbs Hill lighthouse, as seen from the Yacht Club on Albuoy’s Point in Hamilton, Bermuda. Bermuda has two lighthouses. This one and St. David’s lighthouse in the East. Bermuda’s waters are treacherous. The 21 mile island is surrounded by reef. Its large collection of ship wrecks helped to earn it the moniker The Devil’s Isles back in the days of tall ships. It was the reefs that resulted in the eventual settlement of the island when the British ship, the Sea Venture, on it’s way to Jamestown, was shipwrecked here in 1609. All survived the wreck and lived on the plentiful wild hogs, fish, and birds until they were able to build two new ships from the island’s substantial cedar supply and move on to Jamestown. In 1611 the British returned, to colonize the island.

View of Gibbs Hill Lighthouse as seen from Albuoy’s Point in Bermuda with a pink and blue sunset.

Feb 082012
 

I’ve said before that everywhere you look in Rwanda seems to present a photo opportunity. Here’s more evidence. This was taken on the way up to the national park to visit the mountain gorillas. It was our first water break. I extended it by taking my time setting up for this photo. It was a tough walk.

Countryside in Rwanda, green fields and mountains under a beautiful sky.

Feb 072012
 

Stepping out of my comfort zone of landscapes and cityscapes, I was inspired to shoot this portrait. The kids we encountered in Zambia and Rwanda were great. They certainly make a memorable impression. They’re also fascinated by the camera. I’ve mentioned the boy who followed me around Gisenyi setting up and packing away my tripod for me. While we were canoeing the lower Zambezi we paid a visit to a local village. As the chief’s wife gave us a demonstration in how they make flour, I snapped a photo of her toiling away with a small portion of her mob of grandchildren in the background. Without realizing, I left the screen on as I let the camera hang to my side. Suddenly I noticed all the kids were jockeying for a view of my hip. So I knelt down to show them the picture. They responded by pointing  while chanting “Aye Nappa” (I have no idea how to spell this and am a bit ashamed to say I don’t even know what language it is, maybe our African language buff, Soniko, can fill this detail in). Our guide, C.B., filled us in that they were saying, “that’s me!”

Kids wherever we went loved having their photos taken, normally in a pack with huge cheesy grins. Most of these were really just snap shots to show them. As we climbed this hill in Rwanda (in a truck this time) to get a better view of the twin lakes, Burera and Ruhondo, we came across loads of kids –  we were in Rwanda during a school break. As usual, they ran after us along the road and posed for photos. Then, at this verge looking out over one of the lakes there were only a few kids around. I’d started concentrating on taking landscapes before acknowledging the kids as it tended to be impossible after that. I snapped a few photos of this view and noticed that the older boy in this photo was watching me very closely, with that exact expression on his face and the littler one always by his side. I took a few photos and then called him over and had the two of them press the shutter button to fire off my bracketed photos for me. Neither asked for a photograph, which was a bit different, so I asked to take a photo of them. I’m very happy I did. I feel like this kid has the eyes of a wise old man. Regretfully, I don’t remember his name. I’m hoping to track him down. Cameron exchanged e-mail addresses with a few kids further up the hill who I need to send a few photos. They all wanted to be photographed with Cameron, who seemed a bit of a giant in Rwanda. Maybe those kids can track these guys down.

My HDR technique is based on Trey Ratcliff’s website, Stuck in Customs, where he bemoans the fact that Nikons force him to take 5 exposures in order to bracket exposures from -2 to +2. He states that the light range in the majority of scenes can be captured in three exposures, -2,0,+2. For no real reason I started using 7 exposures and have wondered what I would ever tell anyone if they asked me why I take 7. Now I know. It may be possible to capture the light range of the majority of scenes in three exposures. However, I’m still new to this HDR stuff and as such I’m not tuned to recognize when I need to go wider. For this shot, as I was photographing people (which aren’t very still), I dropped my usual 7 exposures down to 3. As a result, the background of this photo was plagued with noise. I think this is the result of Photomatix having to adjust the exposure of the background as it was not captured in the three images taken. Also, the option to mask out the sky in the Photomatix result to replace it with a noise free version didn’t work because I was missing the correct exposure. It’s come out alright after using Noiseware Pro, which is a great Photoshop plugin for removing noise, but I’ve lost some detail as a result.  So, as I’m still learning when to shoot which exposures, I’ll stick to my -3 to +3 just to make sure.

Portrait of two local boys dressed in red where the older looks very serious and wise in front of the twin lakes, Burera and Ruhondo, in Rwanda.