Apr 172012
 

On the way from Ruhengeri to the basket weaver’s, we waked through a few villages. Each time the kids would run out to greet us. They all wanted their pictures taken. and after taking photos of a big group I turned around to find this lone boy standing here watching. I motioned to my camera to ask if he wanted to have a photo. He smiled and nodded and posed ready. I decided to kneel down to get down on his level. But, as I knelt, he crouched, trying to stay on the same layer as he’d been with the camera. I motioned for him to stand up and he wouldn’t. So I stood up and he followed. When I knelt back down again so did he. This happened a few times until I managed to get the shot.

I kind of wish I’d stopped down my aperture to blur the background. I’ve just spent about an hour trying to achieve this in photo shop (for the first time) and wasn’t happy with the results. So, I decided to stick with the original image: boy in front of sugar cane, all in focus.

Young Rwandan boy with a serious expression wearing bright yellow shirt in front of sugar cane

Feb 072012
 

Stepping out of my comfort zone of landscapes and cityscapes, I was inspired to shoot this portrait. The kids we encountered in Zambia and Rwanda were great. They certainly make a memorable impression. They’re also fascinated by the camera. I’ve mentioned the boy who followed me around Gisenyi setting up and packing away my tripod for me. While we were canoeing the lower Zambezi we paid a visit to a local village. As the chief’s wife gave us a demonstration in how they make flour, I snapped a photo of her toiling away with a small portion of her mob of grandchildren in the background. Without realizing, I left the screen on as I let the camera hang to my side. Suddenly I noticed all the kids were jockeying for a view of my hip. So I knelt down to show them the picture. They responded by pointing  while chanting “Aye Nappa” (I have no idea how to spell this and am a bit ashamed to say I don’t even know what language it is, maybe our African language buff, Soniko, can fill this detail in). Our guide, C.B., filled us in that they were saying, “that’s me!”

Kids wherever we went loved having their photos taken, normally in a pack with huge cheesy grins. Most of these were really just snap shots to show them. As we climbed this hill in Rwanda (in a truck this time) to get a better view of the twin lakes, Burera and Ruhondo, we came across loads of kids –  we were in Rwanda during a school break. As usual, they ran after us along the road and posed for photos. Then, at this verge looking out over one of the lakes there were only a few kids around. I’d started concentrating on taking landscapes before acknowledging the kids as it tended to be impossible after that. I snapped a few photos of this view and noticed that the older boy in this photo was watching me very closely, with that exact expression on his face and the littler one always by his side. I took a few photos and then called him over and had the two of them press the shutter button to fire off my bracketed photos for me. Neither asked for a photograph, which was a bit different, so I asked to take a photo of them. I’m very happy I did. I feel like this kid has the eyes of a wise old man. Regretfully, I don’t remember his name. I’m hoping to track him down. Cameron exchanged e-mail addresses with a few kids further up the hill who I need to send a few photos. They all wanted to be photographed with Cameron, who seemed a bit of a giant in Rwanda. Maybe those kids can track these guys down.

My HDR technique is based on Trey Ratcliff’s website, Stuck in Customs, where he bemoans the fact that Nikons force him to take 5 exposures in order to bracket exposures from -2 to +2. He states that the light range in the majority of scenes can be captured in three exposures, -2,0,+2. For no real reason I started using 7 exposures and have wondered what I would ever tell anyone if they asked me why I take 7. Now I know. It may be possible to capture the light range of the majority of scenes in three exposures. However, I’m still new to this HDR stuff and as such I’m not tuned to recognize when I need to go wider. For this shot, as I was photographing people (which aren’t very still), I dropped my usual 7 exposures down to 3. As a result, the background of this photo was plagued with noise. I think this is the result of Photomatix having to adjust the exposure of the background as it was not captured in the three images taken. Also, the option to mask out the sky in the Photomatix result to replace it with a noise free version didn’t work because I was missing the correct exposure. It’s come out alright after using Noiseware Pro, which is a great Photoshop plugin for removing noise, but I’ve lost some detail as a result.  So, as I’m still learning when to shoot which exposures, I’ll stick to my -3 to +3 just to make sure.

Portrait of two local boys dressed in red where the older looks very serious and wise in front of the twin lakes, Burera and Ruhondo, in Rwanda.

Jan 282012
 

I set out early in the morning to get some photos of Prague’s main tourist sites, the Old Town Square and the Charles Bridge, without hordes of tourists blocking my view. There’s a few ways to create images without people in them. Of course, the best is to take an image when there’s no-one there. Another method is to set a long shutter speed so that any people moving through the scene will not register in the final image. This requires two things. Firstly, the people crossing through the frame need to keep moving enough that you won’t end up with a ghosted image of them. Secondly, you either need low enough light levels or a dark enough filter to use a long enough exposure.

Neither of the above methods worked for me in taking this picture. I was there early, but not early enough. On top of this people like to stop on Charles Bridge and I didn’t have a dark enough ND filter to really extend my shutter speeds to block them out. As a result I set about working on a post processing technique. I took a bunch of pictures so that I could blend them together and end up with a people-free Charles Bridge. Then, this little girl walking with her parents suddenly took off running and stopped at this little plaque. I decided this made for a nice image and decided to keep her in the photo. Once I got home I decided I’d actually have liked to show the various stages of her approach. Unfortunately, I hadn’t taken enough images to make this work. I’ve seen an intriguing e-book called “Photographing the Fourth Dimension – Time” . It’s available at Flatbooks which is run by Trey Ratcliffe of Stuck In Customs. The photographers he works with in producing these books are always interesting and informative. I’m planning on buying this book and giving it a read as the concept sounds intriguing to me. Also, the next time someone starts moving through  a scene in an interesting way I’ll make sure I keep the shutter firing.

Charles Bridge with statues and little girl and view of Old Town, Prague.

Jan 162012
 

I haven’t had time to work on any photos from Prague. So, I’ve reached into my file of completed pictures. This may be my favorite photo from my entire time in Africa. When I walked over to try to take this photo her entire face was covered by a leaf. Then, she reached up and moved it just long enough for me to grab three exposures

It’s snowing here, I’m hoping it sticks but it doesn’t look too likely.

 

Face of mother mountain gorilla sleeping with her baby on her shoulder in Rwanda.