I took a lot of photos on my first night in Iceland. You’re probably all getting sick of seeing this lighthouse. This is the last one I’ve got, I promise… at least until I go back there again this June.
Arriving in Iceland at midnight, in the middle of June, immediately makes you realise you’re entering a surreal land. As the flight begins it’s descent you can see the vibrant colors of sunset around you. The colors continue long after you’ve left the airport. Long enough that you can travel 20 minutes to your accommodation, drop off your bags and wake up your sleeping travel mate, that got there a day earlier, and still be able to take photos of the unending light!
This beach was walking distance from our guesthouse in Gardur so we made our way straight there. I spent at least two hours taking photos that night, despite my total lack of sleep, and didn’t even begin to feel tired. The air was crisp with a slight scent of sulphur from nearby springs. We even managed to climb up the lighthouse pictured in the distance here. It afforded a great view back across the landscape, including the newer, still-functioning lighthouse nearby.
While wandering around Prague I was trying to take photos that didn’t conform with every postcard hanging in the shops. It’s pretty difficult not focusing on exclusively photographing the landmarks here. There’s lots of them and they’re everywhere. So, I was pretty pleased when I looked over the edge of the Charles Bridge and spotted this scene. The bridge was crowded with street vendors and tourists bustling by. Then, over the edge it was just peaceful. As I set up I noticed that every now and again someone would stroll through. So, I waited until someone got right into the spot I was looking for. It was a surprisingly short wait.
This is a combination of seven exposures from -3 to +3. It was important to use this wide range of exposures because, as you can see, I was shooting directly into the sun. This photo is a good illustration of the capabilities of HDR photography. Typically, shooting into the sun is considered a no-no and with the limited light range of my camera’s sensor I’d really only be able to capture a silhouette of everything lined up in front of the sun. By combining multiple exposures the details in the trees’ bark have been captured along with the camouflage jacket the man is wearing. These are all details I was able to see while I was there.