Once I got the weather I was after at Horseshoe I took quite a few pictures from the top of the rock there. Here’s another one, taken as the sun climbs a bit higher through the haze, spilling golden rays across the light pink sand and adding an extra glow to the cool turquoise water.
If you’ve been wondering when I’m going to add the next installment of my HDR tutorial I’ve got good news for you! It’s online now: HDR Tutorial 2. In this section I go through the Photomatix portion of producing an HDR image, where the three exposures are combined into one image.
If you follow my site regularly you’ll probably recognize the spring in Acqui Terme. I spent a long time waiting for that patch of blue sky amongst the gloomy overcast sky to make it’s way into frame. Once it did I fired off a few shots from different angles. This one shows the detail of the cobbles in front of the spring.
I came across this farm in the Lake Myvatn region. It was about 11:00 when we got here. As you can see from the clouds we were in for a gloomy rainy night. That’s alright though, it suited the volcanic landscapes we were just about to drive into.
We needed to make a decision. The river branched off to the right, but our guide informed us it was a dead end and led the rest of the group to the left. Up ahead, I could see a number of animals by the water’s edge, including a couple of warthogs, right where the group was heading. It gave me the feeling that if we went right, when the animals got spooked by the rest of the group, they’d run past us. Also, I’d discovered on this trip that warthogs may be my favourite animal in the world. I don’t think anyone could not look at a warthog and smile. They’re funny little creatures, that just about live up to their portrayal in The Lion King. Although, I get the feeling the real ones are a little bit smarter than Pumba.
So, we went right, and paddled hard to get up enough speed to beat the group to the point where the two stretches of water nearly met. We were careful to stop paddling and glide quietly onto the beach, bringing the nose of the canoe up onto the sand so as not to send any animals scampering. Sure enough, as the group passed, the warthogs were first to get spooked and ran back into the brush, taking a route just in front of the nose of our canoe. I fired off a few photos frantically and got the one below.
Now came the tricky part of catching up to the group. Fortunately, on the way into the little inlet, about 2 thirds of the way down, I’d spotted a shortcut. The spit of land dividing this section of the water from the main river narrowed to about a canoe’s length. Again, we paddled hard, but didn’t glide in gently this time. We rammed the shore sliding up as far onto the shore as we could. As I was in the front I hopped out. The water was deep enough to disguise a crocodile so Chris couldn’t get out until I pulled the canoe in far enough. Then we quickly slid it across and I hopped back in as Chris pushed me out into the river and jumped in the back. We were safely back with the group.
At the end of a morning out, I was on my way back to the hotel when I spotted this rundown old villa tucked off the roads amongst the vineyards. I pulled over and discovered that the building and trees framed the remnants of sunrise perfectly. So, I set up for the shot.
In the Snæfellsnes peninsula, where we took a detour on our way to the Westfjords, is a beautiful old fishing village called Stykkishólmur. We stopped off for lunch where I had the biggest mussels I’ve ever seen. They were delicious. Then, I wandered down to the harbor for a few photos before continuing on our way.
This is my first shot with the new gear I bought after those bastardos (the police taught me that) robbed me in Italy. I mentioned a little while back that I’d received my insurance check and, subsequently, my camera gear arrived on island. I haven’t really gone into what all I got and have yet to update the My Gear page (I’ve just noted that I should probably get on that). I decided to make a couple of changes though the majority of my gear has remained the same. I decided to stick with my combo of 5d mk ii and 7d camera bodies despite considering the 5d mk iii that has been released recently. In the end it came down to cost. I could buy both the 5d mk ii and 7d camera bodies used, on BH PhotoVideo, for considerably less than the cost of the 5d mk iii alone. On top of cost, I get to keep my two camera setup meaning I’ll have a backup in case I get a little too close to a waterfall or if a baboon steals one and chucks it off a cliff. I replaced my 14mm prime lens as well as my 24mm to 70mm zoom but rather than replace the 70-300mm zoom I had, I switched to 70-200mm lens. It’s just a much faster, better lens. It also seems a lot heavier, which I wasn’t anticipating. Along with it, I’ve bought an extender EF 2x II which increases it’s focal range to 140mm to 400mm.
I spent a day out in St. Georges with my new gear. Unfortunately, for some reason my ISO was set at the max and I didn’t realize, so most of the images are unusable. On the way back the sunset was starting to get interesting so I pulled off onto the railway trail at the bottom of Crawl Hill and took this photo.
Camera: Canon 5d Mk II
Lens: EF24-70mm f/2.8L USM
ISO: 100
Exposure: 3.2, 13, 30 at f/18
Taking the Photo: Amongst the little bits I picked up along with my cameras and lenses was a variable neutral density filter. I didn’t actually know that they existed and just stumbled upon them. Rather than carrying numerous ND filters at varying levels you just buy one and twist it to adjust the darkness. It’s pretty cool, but I haven’t really had a chance to test it extensively. I used it for this picture and adjusted it dark enough until I got long enough exposures to totally blur the water.
Processing: Processing this photo was pretty straightforward without many issues. I combined the three exposures using Photomatix and then adjusted contrast and saturation in Photoshop before further bumping up the detail in Topaz Adjust.
Software: Photoshop, Topaz Adjust
Jokulsarlon is a large glacial lagoon in South East Iceland. Here, huge icebergs carve off of the glacier and head for the ocean. The lagoons exit is narrow and the glacier’s are bottlenecked here. They have to shrink in size before they make their way through the gap and out to sea. Once there, some of them are forced back onto the beach by the waves. It’s an incredible place, and I’ll definitely be making my way back there again.
This small chunk of ice is all that’s left of one of the great bergs that made it’s way out to sea only to get washed up on the shore again. The ice comes in a few different colours. Some are crystal clear, some are black due to volcanic ash deposits. This one is an example of the amazing pale blue glow many of the bergs possess.
Our junior guide, who typically stayed at the back of the group paddled up ahead and caught up to our main guide. Then, they made for the shore. It was about lunchtime and I thought that was why we were stopping. Instead, we were told to stay in our canoes and just beach them slightly. Then, we saw her, camouflaged extremely well amongst the brush, a lone lion, just 30 meters away.
We sat and watched her for a while as she sat and watched us, very casually. She’s an old lion, we were told, and had likely had to leave her pack and attempt to fend for herself. She seemed tired and had a sadness in her eyes, that I think you can see here.
After pushing off and continuing down stream our guide praised his assistant for spotting her and confessed it was a good thing as he’d planned on stopping there for our lunch break!
Camera: Canon 5d Mk II
Lens: EF 70-300mm f/2.8L USM
ISO: 100
Exposure: 1/50 at f/8
Taking the Photo: I zoomed in far as I could and made sure that I set the focus on the lioness’ eyes as she gazed back at us. I was shooting handheld as I was sitting in a canoe at the time. I shot three bracketed images but chose not to use them.
Processing: I decided not to use the bracketed images as there was too much movement in the scene, from the lion to all of the foliage around her. I tried creating an HDR image by adjusting the exposure levels in Adobe RAW, but realized that I preferred the single exposure to the output from Photomatix so just adjusted contrast in Photoshop and bumped up the detail in Topaz Adjust.
I had to make a substantial crop in order to zoom in further on the lion. As the 5d mk II uses a full frame sensor this was possible without the resulting photo being too small.
Software: Photoshop, Topaz Adjust
This photo makes me want to get back to Iceland as soon as possible. The plan for my next trip is to turn up there for a longer period of time with a tent and not much of a plan. I want to wander, go to where the good light is and wait for the good light in places that deserve it. There seems to be campsites everywhere in Iceland so finding somewhere to crash should be easy as plugging campsite into the satnav.
This shot is from my first night in Iceland. After arriving at midnight, I discovered that this beach was just a short walk from the guesthouse I stayed in. It was handily scouted by my travel buddy who had arrived a day earlier. The lighthouse is actually no longer used so it seems fitting to leave it in the dark. A newer one is located just off to the right. You’ll get to see photos of it one day as well.
Camera: Canon 5d Mk II
Lens: EF24-70mm f/2.8L USM
ISO: 100
Exposure: 1.6, 6, and 25 at f/18
Taking the Photo: I wandered the beach searching for a good foreground for this shot. The rocks looked promising and when I stumbled across this patch of larger, moss drenched stones I set up my tripod. The camera was placed at about half my height to get close to the rocks and capture the detail in the moss. You’ll have to click the image and view it larger to see the details. I actually shot bracketed shots from -4 to +4 because the sunset was so intense behind the lighthouse. As you can see above, I only went with -2 to +2, which I’ll explain next.
Processing: This is one of those photos that I’ve tried to process numerous times but failed. I have a similar shot, here, that I was never quite happy with. The sky and the lighthouse just never looked quite right. I felt like I was sacrificing colors and detail in the sky to bring out details in the lighthouse, which just blended into the sky. This time, I took a different approach and decided to let the lighthouse remain as a silhouette. The rocks in the foreground are much more interesting than the details of the lighthouse anyway. Now, I’m very happy with this shot.
I probably could have achieved this affect with an off camera flash, which I don’t yet own. One of the useful parts of HDR is that you can adjust your lighting once you’ve gotten home. Of course, this has limitations so I’m planning on buying a couple of off camera flashes and figuring out how to use them. That way, in a situation like this I could take my usual bracketed photos, but also use a bit of flash. Then, I can just use whichever method worked out better and maybe save me a bit of head-scratching once I get home.
Software: Photomatix, Photoshop, Topaz Adjust, Noiseware Pro
