The original plan, when starting this site, was to not include any pre-HDR photos. I’ve changed my mind. My trip to Romania inspired me to invest more in my camera equipment and I like a lot of the pictures I took there. Today’s photo was taken on the way down a mountain headed toward 7 Ladder Gorge with my old Canon Rebel. Topaz Adjust has allowed me to recover some of the details in the shadows and a few extra tweaks (including applying Unsharp Mask, which I never used to use) have allowed me to improve this photo a bit form the original. Going forward, I’ll release a few more of my older pictures every once in a while.
The first time I was in Prague I wandered down an interesting looking street and stumbled upon what is probably the strangest fountain I’ve ever seen. The last time I was there, I went through a similar process and happened upon it again. This time I decided to get a photo of it. It’s in the courtyard of the Franz Kafka Museum. It’s animated too. Their hips swivel and their “gentleman parts” move up and down. It really is odd.
After climbing up the stairs at the rear of Prague castle, you are confronted by two armed guards flanking the entrance to the citadel. Their stern expression making it unclear whether it’s accessible so long after dark. As you move closer, they don’t react so you stroll casually past. Suddenly, you realize you’re inside the normally crowded castle, surrounded by silence. As you approach the back of the St. Vitus Cathedral it looms ominously, in Gothic glory. As you take it in, a couple breaks the silence strolling through the courtyard and out the other side.
Progressing around the cathedral you find a small, late night tour group of 4 or 5 people. The guide speaks quietly with no need to strain to be heard over the bustle of the daytime crowds. Soon, you’re at the intricately sculpted doors of the building, now closed to visitors. The lack of tourists allows you pause to soak in the scene. Snowflakes begin to fall around you, appearing from the dark sky and disappearing as they contact the paving stones. The silence is broken once more. This time, by the rhythmic sounds of four soldiers, stepping in time, as they exit through the archway behind you.
After making your exit, you enter a smaller courtyard. In here a lone soldier patrols. Marching in a tight square, right in your path. You carefully time your walk so you don’t interfere with his. As you exit the compound the city opens up in front of you and you make your decent.
Prague Castle and St. Vitus Cathedral were not where I planned on ending up this night. I set out for a panorama of the city. In my search, this is where I arrived. It was well worth the trip. Having it to yourself, as opposed to surrounded by the tourist hordes really is a great experience. The absence of people also allowed me to attempt to capture the grandeur of the church’s original doors, below.
This is a canal that runs underneath the Charles Bridge. As I came across this view I liked the shadow of the house falling on the other houses. Before long a boat passed through. I decided that this as just what I needed for a picture so I set up my tripod, got the camera ready and waited. As I’ve mentioned, in just about every post from Prague, it was cold. This was a particularly long wait. I enjoyed the funny looks I got and watching people walk up to snap a photo in the general direction of where my camera was facing before moving on. After a wait a boat passed through, but it was a little tiny thing that I didn’t think did the trick. So, I continued to wait. I think I’d been there for about half an hour when the boat I’d seen originally returned and this is the result.
This is a combination of 3 exposures. I used the selective anti-ghosting tool in Photomatix to select one exposure of the boat and the surrounding water.
I wish I could tell you what this rather incredible building is called. Unfortunately, I have no idea and I’m in a bit of a rush as it’s my birthday and I’m on my way out for a beer – so don’t have time to google map it (Flanagan’s if anyone’s interested). 🙂
This photo was taken with my back to the East entrance of the Charles Bridge. I’ve got a bit of a fascination with figuring out how to include moving subjects in HDR photos at the moment. I know it’s possible to create HDR images from one RAW photo. However, the results are never as good as when you use multiple exposures. On top of that, I wanted everything to be sharp in this image. In order to do that a small aperture was required. So small that all the vehicles and people in the photo disappeared. So, how to get the moving cable car?
I shot the scene as I would normally, with a small aperture, and then switched it up, increase the aperture and bumping my ISO up considerably to freeze the tram as it barreled through the tunnel. I waited for one to come through and just used it to set the focus correctly. Then waited for the next one and fired away. Following this, I created an HDR image with the multiple exposures as usual, and then masked in the moving cable car. As a result, I’ve captured a moving object in true HDR while maintaining a nice wide depth of field.
This is the entrance to the Old Town of Prague. It’s called the Powder Gate because this is where gunpowder was once stored. This intersection may be one of the worst designed in the world. There’s three one-way roads filing into one single lane, and from what I could see no one has the right of way.
I was lucky enough to get to stay in the Ritz in London in January. I was recently asked what I’d been up to lately, beside feeding elephants and searching for vertigo. After checking in I was escorted to my room and shuddered slightly as I came out of the elevator and up to the edge. The height gave me a little rush to the head – and I was only on the second floor. I arrived after my few days in Prague – a little hungover and really sleep deprived. I actually felt nervous arriving there. Hopping in a cab at Paddington and saying,”the Ritz, please,” felt pretty good. I’ve stayed in the area before and typically take the tube, but arriving on foot, with my backpack tripod and tiny rolling suitcase just seemed wrong. Even so, when the doorman opened the door and reached in for my bags my age, sneakers, corduroy’s and t-shirt probably sunk in. He stopped reaching for my bag and said, “are you checking in sir.”
After answering yes he was incredibly friendly. It was actually the most shocking thing about staying there. I expected them to be very up tight and snooty. It was the opposite, everyone that worked there was just incredibly friendly. It is a bit weird having so many people ready to help you – there are always two staff members per guest. After leaving, the standard ten minute wait to be acknowledged by the bartenders at the Red Lion in Gatwick seemed particularly shabby!
Most of the time I was there I chickened out of walking around with my camera and tripod photographing the place. On my last day, just before checking out I shot this photo. I was in a rush and didn’t want to set up my tripod as I didn’t know the policy on this, and it’d be a shame to survive 4 days at the Ritz and get kicked out on the last one. So, I shot handheld. As you can see the lighting was pretty low so I had to ramp my ISO up. This has led to a lot of noise in the image. Noiseware Pro made a noble effort in fixing this, but I won’t be displaying this one at full size any time soon. If you’re curious to see what I mean by noise you can click the image to go through to Smugmug and view the original size, just scroll around until you find the grainy bits
Next time, I’ll just break out the tripod.









