May 172012
 

My first night sleeping on the Zambezi I had the opportunity to take this photo. I was still pretty creeped out standing next to the water at this point. Images of a crocodile leaping from the dark waters kept running through my head. As a result, I kept a safe distance away. This was actually ridiculous, when you consider that I had no idea what a safe distance was.

I like today’s image because I feel like it portrays that feeling of not knowing what’s beneath the surface. the darkness of the water preventing you from knowing if anything is there. I also like the texture on the surface of the water created by the wind blowing across it.

Zambezi River in Zambia with wind blowing across it creating texture on the surface of the water with dark dramatic clouds above.

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May 152012
 

You stand in Zambia, on the shore of the broad Zambezi, gazing towards Zimbabwe from Zambia. It’s surprising you can feel so energized after a night being woken by such noisy neighbors – elephants trumpeting on the salt lick behind camp and lions rumbling across the river. They’re far away but sound as if they’re knocking on your tent flap.  As the flaming sun slowly emerges from below the horizon, lighting the smooth flowing waters in front of you, the peace is shattered by the grunting of a nearby hippo. Your canoes are ready to go, but they’ll have to wait a little longer as the smell of breakfast, bacon and scrambled eggs, wafts to your nostrils. After eating your fill the Zambezi will continue to provide surprise after surprise, bend after bend. It’s  going to be a good day.

Three blue canoes on the Zambezi riverside with an orange sun rising over the horizon leaving orange streaks on the water in Zambia.

If you fancy waking up to this scene, you can buy a print here.

May 122012
 

My Tripod Search

On my gear page I mention that I’m not fully satisfied with my current tripod and mentioned one set of legs I’m considering. I’m going to be expanding this section soon because the more I look round the more options I find. I’ve got a good idea of what I want. The legs max height needs to be about 5’3″. At this height, the tripod head plus the height of my camera should get the viewfinder to eye level for me. It also needs to be able to set up with the legs spread out flat so I can shoot from ground level. With this in mind I don’t want a center column, as they reduce stability when extended and make getting the camera to ground level difficult. With setup in mind, one thing I like about my Benro Angel is the twist locks on the legs. So, that’s something I’ll definitely be looking for in my replacement. Additionally, I want to go as light as possible so will be looking at buying carbon fiber. These parameters are pretty easy to fulfill, but I also want it to fit in a carry on. This is where things get tricky. Hopefully, I’ll find something suitable soon as I want to bring it to Iceland with me in June.

Today’s Photo: Victoria Falls and Batoka Gorge

After crawling out on a ledge for the photo posted here, I set up in a much safer position on the other side of the tree. I still can’t believe how unrestricted we were at the top of the falls. This day Shannon and I had gone back to the falls without a guide and just walked right along the edge in search of photos. We did have one scary moment though. On the way back to the parking lot, I’m pretty sure we encountered the biggest baboon in the world. It was terrifying and grunting. It definitely did not sound like it was in a good mood. We backed off and hid behind a bush as it crossed the path and disappeared.

View of Victoria Falls and Batoka Gorge in Zambia with giant tree branch reaching towards waterfall cascading down to green pool of water.

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Apr 232012
 

Mornings on the Zambezi

I’ve posted photos from my canoe safari down the Lower Zambezi before (you can click “Zambia” in the categories to the right to see them). Inspiration for this particular adventure came to me a while back in National Geographic’s Journey’s of a Lifetime. It outlines 500 of the world’s greatest trips and is one of my travel bibles. Out of these 500 journeys, this one stuck out in my mind. My desire to take this trip was cemented when I bought what would become another of my favorite travel references, Ultimate Adventures from Rough Guides, and I found the Lower Zambezi canoe safari in there as well.

Both books summarize the sights you’ll see as you drift down the river including elephants, numerous hippos, and crocodiles that slowly disappear from view. Both books also mention how you’ll be able to silently approach the wildlife in your canoe, getting much closer than otherwise possible. On our trip, we managed to sneak up on a skittish warthog without scaring it away and pass within spraying distance of a sizable herd of wallowing elephants. We even managed to see a pack of wild dogs, a very rare sighting.

What neither book tells you about, however, is the incredible feeling of waking up on the shores of the Zambezi River. This feeling may be partly down to the elation felt after surviving the night surrounded by wild animals. It may just be because it means getting to leave the confines of your tent, or that breakfast is on the way. I think for me, that incredible feeling was fueled by waking up to sunrises like the one below. Everything feels perfectly still, the river slides smoothly by, while a fiery light show spreads from the horizon.

Lower Zambezi Fire

I have to question whether I can call this an HDR photo. I went through the usual process and combined 7 exposures, but then I masked out large amounts of detail to create silhouettes in front of the sunrise. I felt that so much detail on the bank directly in front of the sunrise was too distracting. However, I did maintain detail pulled out to the left and right of the photo. This would not have been possible without the HDR process. What do you think? Can I call this HDR? Let me know in the comments section.

Fiery sunrise with land and trees in silhouette reflected in the Lower Zambezi River in Zambia

Operation: Horseshoe Bay Postcard

I mentioned yesterday that I’d be going down to Horseshoe Bay, for sunrise, everyday this week, to take the standard photo from on top of the rock at the West end of the beach. I figure if I research the conditions and go down everyday I’ll get better at predicting the best locations and times to shoot wherever I go. Naturally, this is a useful skill when exploring new places with minimal time. Admittedly, this isn’t the most creative shot, but there’s a reason why so many people endeavor to capture it. It’s a good view.

My decision to head down there was initially inspired by a new tool I’ve discovered, called “The Photographer’s Ephemeris“. This tool allows you to predict where on the horizon the sun will rise relative to your position. At the moment I’m testing it out using the free desktop version, but I can already see that I’ll likely be getting the app for iPad so I can keep track of the sun in Iceland.

As you can see in the screenshot below, at the moment, if you stand on the rock at Horseshoe, the sun will rise just at the end of the point at the very end of the beach. I thought this would make for a nice composition.

So, at 5:40 this morning I woke up completely confused as to why my alarm was going off as it was still dark. I was even more confused when I looked and saw the time. Then I remembered the plan. I looked outside and couldn’t see any clouds and figured it was completely overcast. I nearly went back to bed, but decided I should at least check it out to see if the Photographers Ephemeris had gotten the position right.

Upon arrival at horseshoe things actually looked promising. There was still a half hour until sunrise and already color was breaking through the clouds. But then, after scampering up the rocks I realized just how windy it was. 20 knot winds felt pretty intense up there. Looking across the beach I saw a crack in the clouds that I thought might allow the colours of the sunrise to escape and light up the sheet covering the beach. Sure enough, this is what happened. It was pretty spectacular, but short. This intense colouring only lasted for a few minutes and then faded drastically. Unfortunately, it was so windy that the photos I fired off are all blurry. I knew they would be, I could see the camera vibrating with the shutter open. Even so, I learned a few points from this misadventure:

  1. Overcast skies aren’t an excuse to go back to bed, or not shoot. The sunrise actually provided a brilliant backdrop for the beach, even if the light on the sand was a bit flat.
  2. Sunrise time and location are not the only variables to take into account. Weather matters, a lot, especially the wind if shooting long exposures. Looking at WindGuru (a site I use a lot when looking for good wakeboarding weather) it looks like the next few mornings will be better than today, but still a bit hit and miss. I may have to extend this project another week to get the results I want.
  3. I’m in the habit of leaving my lens hood on no matter what. I’ve never found a reason not to, at the very least it helps protect my lens. While trying to still the camera in the wind I realized the hood was acting like a sail. When I took it off the shaking calmed down drastically. By the time I did this the colour had dropped down. I should have taken a set of photos to see if this was enough to get sharp photos… but I didn’t.
  4. On a positive note, the Photographers Ephemeris was really accurate and the sun rose right where I’d pictured it would. It does look like it will make for a good composition, so worth going down over the next few days.

At the moment it looks like the wind will be between 15 and 12 knots, which should be easier to work with. Unfortunately, the weather men are predicting lightening storms. I’ll still head down to check it out. At the very least I may get to capture some lightning off the beach. I sure as hell won’t be doing it from on top of the highest rock around though. At the moment, I’m predicting getting the shot I’m after on Thursday. The wind should be low enough, and the weather predicted is partly cloudy.

 

Mar 162012
 

Normally I wouldn’t include people posing for a picture in one of my shots. But, as I mentioned in a previous post, taking photos of the kids in this village was great fun! Here you can see my travel companion Chris posing for a picture as Shannon teaches a couple of the kids how to use her camera. The sky was striking and I liked the opportunity to catch a picture of the kids having fun without actually having them pose for me!

This photo is only bracketed from -1 to +1. I had to shoot handheld because if I’d set up the tripod the kids would have flocked long before I was ready to take a shot. I also needed to use a small aperture to get the whole scene in focus. If I’d gone to +2 I never would have been able to get a sharp image.

We’d brought clothes to give as a gift and as thanks for allowing us to visit. We didn’t know that we were going to be visiting this village and had actually packed very light for the safari. It was a shame as Shannon had been carrying a lot of stuff to give away the whole trip (this eventually found a home in a Rwandan orphanage). Everyone managed to pull something out, including Soniko who offered up a brand new world cup rugby jersey. But, Soniko wanted to give this to someone personally and eventually gave it to the older kid in the blue sitting down in the middle of this picture. Being selected for Soniko’s prize possession made his day and he beamed a huge smile as he received the jersey.

Village with round straw huts in Rwanda with groups of local children posing for a photo while others learn to use the camera, under a beautiful blue sky with clouds.

Mar 102012
 

One of my travel mates on our recent trip to Africa, Cameron, is in the back of this canoe. In the front is George. We met him in our hostel in Livingstone and he decided to join us on the Lower Zambezi. He had just finished living in a village teaching a sports program at the local school.

Two men drifting in a blue canoe on safari on the Lower Zambezi in Zambia with a dramatic sky above.

Mar 062012
 

Waking up before sunrise is pretty easy when you’re sleeping in a mesh tent surrounded by the sounds of wild animals through the night. Light moving across the flat landscape was a welcome sign.

“You’ll hear animals through the night. They’re going to sound very close, but sound travels a long way here.”

That was the last thing our guide said to us before the group separated into their respective tents. It had been raining, a hard rain as reported in an earlier post, so our fly sheets were on. They were heavy with an almost rubbery feel. It didn’t take long until people emerged in the darkness, flashlights in hand, to remove the stifling material. The fear of another downpour led to discussions on whether to leave it on, leave them half on or take them completely off. My tent mate and I settled on taking it all the way off, but laying it down carefully so it could be pulled up rapidly if need be.

Following this we turned to the darkness. A quick waft of the flashlight revealed a disturbing number of glinting eyes – presumably hippos. Hippos that were already on land and probably only 50 meters from us – they looked back, not moving. I guess they were content to munch away on the long grass surrounding us. With this revelation we returned to our tents. Now, nothing but a thin mesh separated us from the elements, and the wild animals. To be honest, this is exactly what I was after. Why sleep in the bush if you’re just going to lock yourself away? Also, it was much cooler this way.

Just as I dozed off to sleep I was startled by the trumpeting of an elephant. It sounded like it had to be on the same island as us but I repeated the mantra “they sound closer than they are” and drifted off to sleep. I was woken regularly through the night by every noise you feel like a night in the African bush should provide. I heard hyenas, lions, more elephant trumpets, and hippos grunting. This was always punctuated by an eerie silence that you knew would be broken at any moment.

My tent-mate, however, was fortunate enough to be awake for our closest encounter. Having been on an elephant back safari just days before he was finely tuned to recognize the sound of elephant dung hitting the ground. He woke up to feel the ground moving and quickly recognized the thudding. It didn’t take long for him to conclude that an elephant was crapping right next to our tent. I asked if he’d turned on his light to take a look, but the closeness rendered him incapable of moving.

We awoke to a red sky, having survived the night, and exchanged the stories of sounds I’ve just recanted here. Then we hopped out to check the area. Sure enough, there was fresh dung right next to our tent.

Following this discovery I set about capturing the sun rise. I’ve got a lot of photos of this scene from the night before. I’m not happy with any of them. This morning, I took only one photo of this scene, and I’m thrilled by it. I find that I’m always happiest with photos I’ve had to wait to take. For this one, I identified where I thought that sun would be coming up, framed up the picture and waited. I waited for quite a while and the sky was pretty blue all the way across. I began to wonder if I’d misjudged the location of the sunrise and somehow missed it. Then the glow intensified and I knew it was about to peak over the horizon. 7 exposures later and I was packing up my gear.

Glorious star-burst sunrise peeking over the horizon on the Zambezi River in Zambia.

 

Mar 032012
 

After the sun sets, beginning your first evening on the banks of the lower Zambezi things get a little eerie.  You can see the bugs swirling in the light in front of you, and beyond you peer into the darkness that’s fallen over the still river. As you sit there, the silence is cut by the grunting of nearby hippos and your fellow guests tell you about the lions they saw just down the river.

We were staying in fancy en-suite tents for the night. Ours was right next to a haul-out area that was regularly used by hippos to get to land. The thought of encountering a hippo in the dark on our own was pretty terrifying. We walked everywhere with our flashlights and the one time I went to the tent and back on my own was pretty nerve-racking. It’s funny considering we were comfortable enough to steer our canoes directly at the giant beasts, confident that they’d move out of our way, just a few days later.

I’m not sure what inspired me to take this photo, but I think it’s pretty cool. It was pretty tricky to take as the deck wasn’t very stable too.  Every time people move the whole deck shook, ruining that frame.

Empty chair and table on the deck in the black of night lit by a lantern overlooking the Zambezi River in Zambia

Feb 292012
 

On our way to visit this village we saw the mud bricks used to build this structure baking in the sun. We went inside one for a demonstration on how grain is ground into flour. They’re actually a very clever design. The wall around the perimeter does not meet the thatched roof allowing for the breeze to roll through. This cools the inside while allowing any smoke produced in cooking to be quickly ventilated. The doorway was tiny and involved a bit of a contortion to get through.

Two round huts in a Lower Zambezi, Zambia village with thatched roofs with one with baked mud brick sides and the other stick sides.

Feb 282012
 

After a day on a bus, from Livingstone to the Lower Zambezi, we arrived at our home for the night, Zambezi Breezers. Upon arriving it was immediately clear where we would be spending our evening. This shot is taken on a deck built out over the banks of the Zambezi.

Sitting and relaxing, as the sun retired, we watched chartered fishing boats make their way back to their respective lodges and locals make their daily commute home by canoe. They all traveled the crocodile and hippo infested waters with the same manner of craft. They were very simple and appeared to be made from one tree trunk. The back-end seemed to always be submerged and while paddling they let their legs dangle over the sides into the water.

Sunset on the Lower Zambezi River, Zambia with local men in simple canoe riding with back end in the water.