As I mentioned yesterday I’ve been doing a lot of photo processing this weekend. As a side effect I’ve found photos that needed processing I’d forgotten about. I started by going through my Prague file, even though I was sure I’d exhausted that supply. As a result I found today’s photo, and I’m glad I did. I spend a lot of time while I’m wandering about with my camera looking for a good foreground for something interesting I’ve found. The breakwater, with its ducks and seagulls lent itself very well to this purpose.
The original plan, when starting this site, was to not include any pre-HDR photos. I’ve changed my mind. My trip to Romania inspired me to invest more in my camera equipment and I like a lot of the pictures I took there. Today’s photo was taken on the way down a mountain headed toward 7 Ladder Gorge with my old Canon Rebel. Topaz Adjust has allowed me to recover some of the details in the shadows and a few extra tweaks (including applying Unsharp Mask, which I never used to use) have allowed me to improve this photo a bit form the original. Going forward, I’ll release a few more of my older pictures every once in a while.
The first time I was in Prague I wandered down an interesting looking street and stumbled upon what is probably the strangest fountain I’ve ever seen. The last time I was there, I went through a similar process and happened upon it again. This time I decided to get a photo of it. It’s in the courtyard of the Franz Kafka Museum. It’s animated too. Their hips swivel and their “gentleman parts” move up and down. It really is odd.
After climbing up the stairs at the rear of Prague castle, you are confronted by two armed guards flanking the entrance to the citadel. Their stern expression making it unclear whether it’s accessible so long after dark. As you move closer, they don’t react so you stroll casually past. Suddenly, you realize you’re inside the normally crowded castle, surrounded by silence. As you approach the back of the St. Vitus Cathedral it looms ominously, in Gothic glory. As you take it in, a couple breaks the silence strolling through the courtyard and out the other side.
Progressing around the cathedral you find a small, late night tour group of 4 or 5 people. The guide speaks quietly with no need to strain to be heard over the bustle of the daytime crowds. Soon, you’re at the intricately sculpted doors of the building, now closed to visitors. The lack of tourists allows you pause to soak in the scene. Snowflakes begin to fall around you, appearing from the dark sky and disappearing as they contact the paving stones. The silence is broken once more. This time, by the rhythmic sounds of four soldiers, stepping in time, as they exit through the archway behind you.
After making your exit, you enter a smaller courtyard. In here a lone soldier patrols. Marching in a tight square, right in your path. You carefully time your walk so you don’t interfere with his. As you exit the compound the city opens up in front of you and you make your decent.
Prague Castle and St. Vitus Cathedral were not where I planned on ending up this night. I set out for a panorama of the city. In my search, this is where I arrived. It was well worth the trip. Having it to yourself, as opposed to surrounded by the tourist hordes really is a great experience. The absence of people also allowed me to attempt to capture the grandeur of the church’s original doors, below.
I wish I could tell you what this rather incredible building is called. Unfortunately, I have no idea and I’m in a bit of a rush as it’s my birthday and I’m on my way out for a beer – so don’t have time to google map it (Flanagan’s if anyone’s interested). 🙂
This photo was taken with my back to the East entrance of the Charles Bridge. I’ve got a bit of a fascination with figuring out how to include moving subjects in HDR photos at the moment. I know it’s possible to create HDR images from one RAW photo. However, the results are never as good as when you use multiple exposures. On top of that, I wanted everything to be sharp in this image. In order to do that a small aperture was required. So small that all the vehicles and people in the photo disappeared. So, how to get the moving cable car?
I shot the scene as I would normally, with a small aperture, and then switched it up, increase the aperture and bumping my ISO up considerably to freeze the tram as it barreled through the tunnel. I waited for one to come through and just used it to set the focus correctly. Then waited for the next one and fired away. Following this, I created an HDR image with the multiple exposures as usual, and then masked in the moving cable car. As a result, I’ve captured a moving object in true HDR while maintaining a nice wide depth of field.
This is the entrance to the Old Town of Prague. It’s called the Powder Gate because this is where gunpowder was once stored. This intersection may be one of the worst designed in the world. There’s three one-way roads filing into one single lane, and from what I could see no one has the right of way.









